April 11, 2023
2023 Annual Meeting in Edinburgh: Call for Papers Conference
The theme of the 2023 ICOM Costume Committee Annual Meeting is ALL THE COLOURS OF BLACK.
Black is not technically considered a colour; scientifically it represents the absence, or complete absorption of visible light. Yet black is a recurrent feature in the colour palette and language of fashion, in which its adaptability leaves it open to interpretation by the different groups of people that have adopted it. It is at once the colour of protest, of mourning and of melancholy; it is sinister – associated with night, death, sin and evil. It is both serious, connoting respect, diligence, and humility as in the black worn by religious orders, and rebellious as in the styling of punk and goth subcultures. Black is sophisticated yet charged with eroticism; it is both pious and perverse.
Black’s paradoxical meanings have a long history in dress and textiles. Famously, it is a difficult colour to achieve, and its appearance in dress once connoted great wealth – it was first popularized throughout the courts of Europe, from Philip the Good, Duke of Burgundy (1396-1467) in mourning for his father after 1419, to the Spanish Emperor Charles V (1500-1558) and Catherine de Medicis (1519-1589), Queen Consort of Henry II of France (1547-1559). Black’s symbolism goes far beyond sartorial trends too – in Ancient Egypt, for example, as in other parts of Africa and Asia, black was simultaneously symbolic of life and death, described by the celebrated Professor colour historian, Michel Pastoureau, as the ‘colour of the bowels of the earth and the underground world’. Its interpretation in dress, textiles, and fashion therefore emphasises how our relationship to clothes is deeply personal, linked to our political, economic, and cultural materiality.
More information ICOM 2023 Black – CFP